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NEW QUESTION: 1
In Microsoft Dynamics AX 2012, you are managing the cost calculations for bill of materials (BOM) item 7020. Ten percent of a specific sealer component item is wasted in the process of manufacturing item 7020.
You need to account for the wasted sealer component item in the BOM cost calculation.
What should you do?
A. Set the Constant scrap parameter on the sealer component BOM line for item 7020 to
10.
B. Set the Consumption is parameter on the sealer component BOM line for item 7020 to constant.
C. Set the Consumption is parameter on sealer component the BOM line for item 7020 to variable.
D. Set the Variable scrap parameter on the sealer component BOM line for item 7020 to
10.
Answer: D

NEW QUESTION: 2
What do you define for a tax code? (There are two correct answers.)
A. Tax percentage rates
B. Valid tax types
C. Tax relevant accounts
D. Fixed tax amount
Answer: A,B
Explanation:
In Transaction FTXP, where you define the tax codes, you define the valid tax codes per country. Within the tax code definition, you assign the relevant tax percentage rate to the tax types that are relevant.
You define whether an account is relevant for tax in the G/L account maintenance on the company code level.

NEW QUESTION: 3
This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
The author refers to "the orbit" of Abe's work (2nd paragraph) to emphasize that
A. Abe's work is so different from his contemporaries' that it is like another solar system.
B. Abe's travels were the primary themes in his work.
C. his work covers a wide range of themes.
D. conventional themes can limit an author's individuality.
E. the emperor is often compared to a sun.
Answer: D
Explanation:
Explanation/Reference:
The metaphorical use of orbit and gravitational pull is used in conjunction with the negative words
"controlled" and "oppressive. "Abe's work is not controlled by oppressive forces. Eliminate (B), (C),and (D).
Choices A. and E. are similar answers, but E. better captures the author's intent.